House Without a Door
In 1943 the US Army commissioned architect Erich Mendelsohn and RKO Radio Pictures to design and build a replica Berlin housing estate to test incendiary bombs for the Allied war effort. Borrowing its title from the lost proto-expressionist film The House without a Door (Dir. Stellan Rye, 1914), the work approaches the surviving structure through a series of documentary and constructed set pieces. These re-enact imagined screen tests or outtakes, tracing an oblique trajectory from 1920s German expressionist films such as Fritz Lang’s Dr. Mabuse (1922) and F.W. Murnau’s Faust (1926) via the film noir of 1940s émigré Hollywood to a contemporary housing development in a place called ‘Faust’ near the Utah test site. The film features a commissioned soundtrack by Marcus Fjellström reflecting the anachronistic timeline of the film.
Running parallel to the exhibition of House Without a Door at Chisenhale Gallery, London, in 2006, the film's backstory was published as a double page spread in Vertigo magazine, Volume 3, Issue 3, Autumn 2006.
Supported by Center for Land Use Interpretation and Film London LAFVA 2005.
Exhibitions: Chisenhale Gallery, London, 2006, e-raum, Cologne, 2007, High Desert Test Sites, California, 2008, Storefront for Art & Architecture, New York, 2009, Parc Saint Léger Centre d'Art Contemporain, Pougues-les-Eaux FR, 2010.
Running parallel to the exhibition of House Without a Door at Chisenhale Gallery, London, in 2006, the film's backstory was published as a double page spread in Vertigo magazine, Volume 3, Issue 3, Autumn 2006.
Supported by Center for Land Use Interpretation and Film London LAFVA 2005.
Exhibitions: Chisenhale Gallery, London, 2006, e-raum, Cologne, 2007, High Desert Test Sites, California, 2008, Storefront for Art & Architecture, New York, 2009, Parc Saint Léger Centre d'Art Contemporain, Pougues-les-Eaux FR, 2010.